A hundred stories, seven lines
This library has now told a hundred stories. They visit lotus lakes and cliff caves, treasure revealers and wandering teachers, bakeries and hospital wards. Almost every one of them comes back, in the end, to the same seven short lines.
So this hundredth story is about the lines themselves: where the tradition says they came from, how they travelled from voice to voice across the centuries, and how they come to be said tonight in many countries.
The Seven-Line Prayer, in Tibetan Tsik Dün Söldeb, is a short invocation of Guru Rinpoche, the "Precious Teacher" Padmasambhava, who helped bring Buddhism to Tibet in the eighth century. In plain words, it remembers his birthplace in the northwest of Oddiyana and his birth from a lotus. It honours his wondrous accomplishment and calls him by his name, the Lotus-Born. It sees him surrounded by dakinis, makes the wish to follow him, and asks him to come and bless. A short mantra closes it.
A song with no author
Most prayers have an author. The tradition gives this one none. Jamgön Mipham, the great nineteenth-century scholar, describes it as arising by itself, like a sound that reality makes on its own. Khenpo Sodargye, a teacher of our time, says it was not composed even by Guru Rinpoche: it is the prayer with which the buddhas call him to come.
Within that view, the accounts keep several threads, and they do not all tell the same story.
In one, the prayer is older than his arrival in the world. A treasure text revealed by Jamgön Kongtrul, quoted on Rigpa Wiki, has Guru Rinpoche remember countless dakinis, female wisdom beings, inviting him into this world with one voice, in a melody of seven lines. Rigpa Wiki calls it the invocation by which he came.
In another, a dakini gives the lines to Buddhist scholars in India who were losing a great debate. They sang them together from a temple roof, the accounts say, and Guru Rinpoche appeared among them. The Nalanda Translation Committee, like Mipham, sets this at Nalanda, the great monastic university; many retellings place it at Bodhgaya instead. That story is told in full in The Dakini and the Origin of the Seven-Line Prayer.
In a third, the prayer comes to Tibet in his own hands. The Nalanda Translation Committee writes that he gave it to King Trisong Detsen and his subjects, and then hid it in many treasures, so that it was found again and again by later revealers.
The tradition holds these threads together without strain. A reader should still know that they are different accounts, from different texts, and that each is told here as the tradition tells it.
Hidden for the future
Those hidden teachings are called terma, "treasures". The Nyingma school holds that Guru Rinpoche and his companion Yeshe Tsogyal concealed teachings in rock, water and the minds of disciples, to be revealed centuries later by destined people called tertöns, treasure revealers.
Found in Lhodrak
The history that scholars can trace begins in the thirteenth century, with Guru Chöwang (1212–1270), a lay master of Lhodrak in southern Tibet. Among his revelations was the Lama Sangdü, "the Secret Embodiment of the Guru". Treasury of Lives lists the Seven-Line Prayer as part of it, and Lotsawa House presents his text as the prayer's original revelation.
That text speaks in Guru Rinpoche's voice to the fortunate people of the future. In paraphrase: go somewhere quiet, let the shortness of life touch you, and trust him completely. Grand offerings and praises are not needed. Simply pray with these seven lines, wholeheartedly, again and again. Its last lines ask that it stay hidden until it meets a wise and compassionate man named Chökyi Wangchuk, which was Guru Chöwang's own name.
So two ways of seeing meet at one door. History finds the earliest written prayer in Guru Chöwang's revelation and cannot follow it further back. The tradition sees an old song recovered, not a new one composed. Both are honest about what they see. His life is told in Guru Chöwang and How the Prayer Spread.
How seven lines travelled
The Lama Sangdü did not stay in one valley. Treasury of Lives records that it became the core of a great yearly sacred dance of Guru Rinpoche's Eight Manifestations, performed at most Nyingma monasteries, usually on the tenth day of the fifth or sixth lunar month.
In the nineteenth century it became the main guru practice in the Rinchen Terdzö, Jamgön Kongtrul's great collection of treasure teachings, and Rigpa Wiki notes that all the schools of Tibetan Buddhism practise it, especially on the tenth day of the month.
The seven lines also travelled on their own. The Nalanda Translation Committee notes that Nyingma practitioners recite them three times at the start of any practice, and that Kagyu and Sakya practitioners use them very often too. Lotsawa House calls it the most famous and widely chanted of all invocations of Guru Rinpoche.
Why this prayer, out of so many? The sources suggest a few reasons without claiming to settle it: it is short enough to learn by heart, its own instruction asks for nothing but sincerity, and great teachers kept recommending it. And a verse attributed to Guru Rinpoche, quoted on Rigpa Wiki, says that when someone calls him with longing through this prayer he will come, like a mother who cannot resist her child's cry. For many, that image is reason enough.
Mipham's White Lotus
In eastern Tibet, Jamgön Mipham (1846–1912) wrote the best-known explanation of the prayer, White Lotus. He called the prayer "the most majestic of all prayers" to Guru Rinpoche (Rigpa Wiki). He first wrote the book in 1870 and finished it in 1901, at the request of a devoted attendant who, the colophon says, had recited the seven lines 1,300,000 times.
In brief, White Lotus opens with the story of how the prayer came into the world. It then reads the lines in their outer sense, as the story of Guru Rinpoche's life, and goes on to hidden meanings that teachers say hold the whole path. Those are for a qualified teacher to give in person; the Find a Teacher page is a place to begin. Mipham also built a much-loved practice around the prayer, A Shower of Blessings. His story is told in Mipham and the White Lotus.
Others added their own words. Dodrupchen Jigme Tenpe Nyima and Thinley Norbu wrote short commentaries, and Dudjom Rinpoche composed an offering text for Mipham's practice at the request of Sakya Dakchen Rinpoche, a master of another school. The prayer kept crossing lines.
Tonight, in many places
Today the prayer is said far beyond the valleys where it was first written down. In Himalayan monasteries it opens the morning's practice. Around the great stupa of Boudhanath in Kathmandu, people walk circles at dusk with prayers on their lips and beads in their hands; for many Nyingma practitioners among them, these are the seven lines.
Translation groups print it in their daily chant books, and Lotsawa House offers the prayer and texts about it in English, German, Spanish, French, Chinese and Tibetan. Some people recite it hundreds of thousands of times. Others, in a quiet room in a city far from the Himalaya, say it once before sleep.
The hundredth story
Nearly eight hundred years have passed since Guru Chöwang brought the written prayer to light, and the tradition says it is far older. Its shape has not changed. It remembers who Guru Rinpoche is, and then it asks him to come.
About the art
Guru Rinpoche appears twice in his main form: the lotus hat with its half-vajra and single vulture feather, layered robes, a golden five-pronged vajra at his heart, a skull cup in his lap holding a small long-life vase, and the slender khatvanga staff resting against his left shoulder. In the closing image he sits in royal ease on a lotus with sun and moon discs, inside a sphere of five-coloured light, the way he is shown in devotional paintings. The dakinis wear silks of the five colours and are shown in their peaceful aspect.
The other figures follow the site's earlier pages. King Trisong Detsen wears eighth-century Tibetan imperial dress as seen in Dunhuang murals, with a tall cream turban. Guru Chöwang is a lay master, not a monk, so he wears long hair in a topknot and a red-orange shawl, without a hat. Mipham wears a monk's saffron shawl over a dark blue-green vest, as in a nineteenth-century portrait described by Himalayan Art Resources. The masked dancers stand for the yearly dance of the Eight Manifestations, in which each mask and costume shows one of Guru Rinpoche's eight forms.
The white lotus recalls the title of Mipham's commentary, Pema Karpo, "White Lotus". The treasure scroll and the papers in the pictures are left blank, and the present-day people are shown only as silhouettes. As everywhere on this site, the seven lines are never written into the pictures: Tibetan text belongs on the prayer page, set as real type.
Why this matters for practice
Knowing the prayer's long life can make a single recitation feel less lonely: the same seven lines have been sung, hidden, found, explained and passed on by countless people before you. The tradition's own instruction is simple, asking for no grand offerings, only a sincere heart and these lines, again and again. To say it once is already to join that long line of voices.
If something in this story, or in any of the hundred, has moved you, you might pause and recite the prayer once, adding your voice to all the others.
Sources and further reading
- Seven-Line Prayer (topic page), Lotsawa House
- Accomplishing the Lama Through the Seven-Line Prayer: A Special Teaching from the Lama Sangdü, the terma revelation of Guru Chöwang (Rigpa Translations, 2004), Lotsawa House
- Dedicatory Colophon Verses for White Lotus, by Jamyang Khyentse Chökyi Lodrö (trans. Adam Pearcey, 2020), Lotsawa House
- Seven Line Prayer, Rigpa Wiki (Internet Archive snapshot)
- White Lotus, Rigpa Wiki (Internet Archive snapshot)
- Lama Sangdü, Rigpa Wiki (Internet Archive snapshot)
- Guru Chowang, by Jakob Leschly (2007), Treasury of Lives (Internet Archive snapshot, 2013)
- Seven-Line Supplication to Padmakara, Nālandā Translation Committee
- Seven-Line Prayer to Guru Rinpoche (teachings), Khenpo Sodargye Rinpoche
- Commentary on the "Seven-lined Supplication to the Guru" (Tibetan text in Wylie transliteration), Rangjung Yeshe Wiki (Internet Archive snapshot)
- White Lotus: An Explanation of the Seven-Line Prayer to Guru Padmasambhava, by Jamgön Mipham (Padmakara Translation Group, Shambhala, 2007), Book
This retelling is waiting to be read by a knowledgeable practitioner. Where the traditional accounts differ, the story says so; if you notice a mistake, please tell us through Share Your Story.


